by xarielx » April 20th, 2014, 12:03 am
I hesitate to even try my hand to review this amazing piece Uzo and Tabico, I somehow doubted that you could surpass "Zonedance", yet you have, and with conviction. While I felt "Zonedance" was slightly stronger visually, the club, the patrons, the amazing room set-pieces, Mistress Ocqua herself, the ebb and flow of "Alignment" felt more natural, as well as many more plot related avenues opening up. The cold open with the two businesswomen did not prepare me in the slightest for the weight of the entire issue, and I'm now curious what that scene portends, or its importance.
Visually, you've delivered once again, it almost feels as if one were watching stills from a film, as many of your work does, and it is all the better for it. I could close my eyes and imagine Doctor Exis prancing about her lab, or the halls of Core ringing with the sound of implanted officers footfalls. Visual highlights from this issue were the scenes such as Doctor Exis conversing with the Director as the drone is strapped idly by, this is an assumption, I would hazard that the drone was captured? Tammy's workout scene leading to her first lesbian encounter was, in my opinion, one of the most erotic things I've seen.
To spare you a wall of text, I believe a review of each pertinent character is in order. Melanie, our primary protagonist throughout Core, seems to be threading the eye of the needle, her remark that the Director is "playing dangerous games" I believe is more indicative of her actions than the Director herself. The character growth for each of the three primaries is powerful, though I believe Melanie has escaped, thus far, with her mind and convictions intact, and this may prove to be her downfall as seemingly everything around her changes.
A point which reflects her tie-in with Lilit. Visually a character that, with her omnitool-like control device, wonderful to look at by the way, seems akin to the Asari of the Mass Effect universe, and at first displays the camaraderie for Melanie that at first glance, seems innocuous. I admit to having been fooled by her demeanor. When she takes control of Nicole, which was delivered masterfully, and making Nicole denounce her friendship, loyalty and swearing herself to Lilit, its clear she has a rock solid agenda, particularly in regards to Melanie. The Director must know that Lilit is not who she says she is, then I question the dog and pony show that was put onto Melanie in her office, perhaps this is a way to get rid of Melanie without getting rid of her? A situation where the newcomer will learn the tricks of the trade and dispose of the teacher.
Lumping in Tammy with Nicole seems unfair, however, both share the similarity of changing their personalities at a fundamental level, for the reason that both seem to be loyal to Melanie and to a large extent, their old personalities. The shift forced on Tammy by Exis seems brutal, as personally I believe a small part of the naive, lovable, friendly persona seems to have been killed off. It dawned on me, personally that here was Tammy who for lack of a better term, was a reprehensible human being, for 13 years in her mind, and woken up to a new outlook on life. Nicole shares this, though her conversion is more direct. We know that while Tammy and Nicole were forced into being implanted, a fact that eludes Melanie still, the forced conversion of Nicole into Lilit's slave, if shown to Melanie, would be a nail on the coffin to whatever altruistic notions that Melanie may have had toward Core. Despite her innate sense of right and wrong, and her actions, which include treating her friends as people rather than slaves, Melanie still loses Tammy to Exis' machinations, and Nicole to the newest officer who claimed her at first sight.
The finishing reveal with the now sleeper Zarah, and Exis as the patron soliciting a deal from the Hive, left this issue on such a cliffhanger that I simply cannot think of waiting for your next issue, which I hope will be soon. There is much more detail in this issue than I could begin to review, such as the implication of the Director offhandedly remarking about Ricki Marks but for brevity's sake, I thank you both for delivering beyond expectations and for your hard work.